SELECTED PRESS

Washington Post.com, “In the Galleries,” review of Root Work, March 16, 2016

Washington CityPaper, “(e)merge art fair: review,” October 10, 2014

Afrikadaa, “Holly Bass: Mind and Body Performance,” May 2014

Brightest Young Things, “Chillest Moves of 2013,” December 16, 2013

Pink Line Project, “Hamiltonian ‘Spotless’ Exhibit Highlights Race and Gentrification,” July 19, 2013

Washington Post, “Galleries: Hair Apparent,” July 5, 2013

WJLA, “Working Woman: Meet artist Holly Bass,” June 28, 2013

Washington City Paper, “The Body Stop: D.C.’s Once-Nonexistent Performance Art Scene Takes Off—in Rosslyn,” June 6, 2013

Washingtonian Magazine, “The New Guard: People Who Are Shaping Washington,” December 2012

Live Unchained, "Visual Seduction: Holly Bass on Dance Theater & Performance Art," October 27, 2012

The Stranger, "This Is What A Feminist Looks Like," October 24, 2012

Washington Post, “A ‘consciousness’ shared onstage,” August 3, 2012

Capitol File, “Artiste Provacateur,” May/June 2012

Washington Post, “Women don’t play the way that men do,” March 2, 2012

DC Magazine, “Generation Quest,” December 2010

Washington Life Magazine, “New School in Session,” February 2008

Ollantay! Theater Magazine, Interview by Marvette Perez, 2007

New York Times, “Examining the Many Hues That Create Black and White,” Nov. 19, 2007

Washington CityPaper, “Fake Your Booty,” Sept. 28, 2007

Washington Post Express, “Meaning in Motion,” April, 12, 2007

Washington Post, “Hip-Hopping the Fence to a New Form,” July 11, 2006

Washington Post, “Holly Bass’s Diary: Dear and Delightful,” July 25, 2005

Village Voice, “Show Me the Money,” April 19, 2005